01
Rehearsal
A little room to find the work. Maya gives setup, clarity and a way in.
SIMULATE — The Audition Room
Your next audition starts here.
Practise the scene. Face the pressure. Get the notes. Do it again.
Built for film, TV, theatre and self-tape actors.
Live room
Take 01Casting Director
Maya
“Again. Make it smaller.”
Same scene. A different direction. Stay available.
Listening00:42
Pressure is part of the practice.
Not a chatbot. A room to work in.
Scene. Partner. Direction. Take.
Practice the moments that matter.
The loop
Do the scene. Not the homework.
Preparation matters. But the moment arrives when someone is watching, the direction changes and you have to respond. SIMULATE is built for that moment.
Start your first take- 01
Bring the scene
Upload sides, paste the scene or build a brief from the given circumstances.
- 02
Meet Maya
She listens for the choice, adapts to your work and gives the next direction.
- 03
Take the note
Get specific feedback you can use before you walk into the real room.
- 04
Go again
Compare takes, try a new action and feel what actually changes.
For Lena — Callback
Scene input ready
Character
Nina, 27
Trying not to need him.
Objective
Make him stay.
Without ever asking.
Maya sees the turn
The moment you stop protecting yourself is the scene.
Scene preparation, in service of performance.
Prepare with purpose
Bring the material. We find the pressure points.
Start with your sides, a pasted scene or a simple brief. The room understands the character, relationship, obstacles and turn—so Maya can react to the work, not a canned prompt.
- PDF, TXT and DOCX uploads
- Pasted scenes and original briefs
- Context held quietly behind every direction
Choose the heat
Three rooms. One honest take.
Every mode keeps the same standard: useful pressure, clear direction, no humiliation.
02
Audition
A professional room. Less reassurance. More attention on what you do.
03
Pressure
Direction can change. Silence can last. You stay present and make the next choice.
“I don’t believe you. Again.”
After the room
Notes you can play. Not praise you can ignore.
A report names what landed, where the scene changed and what to test in the next take. Then you go back in with something specific to do.
Performance report
Take 01 — Lena
82
Presence
76
Listening
88
Specificity
01
Your objective stayed clear through the turn.
02
The first beat landed. Let the silence do more in beat two.
03
Your next take: reduce the delivery, raise the stakes underneath.
Same scene. Stronger choice.
A higher version of you
Don't wait for the room to feel ready.
Walk in. Make a choice. Take the direction. Discover what changes on the next take.
Enter the Audition Room